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  • THIS WEEK'S ISSUE

    BRAG 447: January 30 2012

    Laura Marling
    Martha Marcy May Marlene
    Martin Eyerer
    Girls
    Limp Bizkit
    Bass Mafia
    Man On A Ledge
    The Pains Of Being Pure At Heart
    The Naked & Famous
    Chairlift
    Portugal. The Man
    Pygmalion
    John Talabot
    EMA

    The Brag Magazine Team:

    Publishers:

    Adam Zammit & Rob Furst

    Editor in Chief:

    Adam Zammit

    Editor:

    Steph Harmon - steph@thebrag.com

    Assistant & Arts Editor:

    Dee Jefferson - dee@thebrag.com

    Art Director:

    Sarah Bryant

    Staff Writers:

    Jonno Seidler & Caitlin Welsh

    News Coordinators:

    Nathan Jolly & Chris Honnery

    Graphic Design:

    Alan Parry

    Cover Design:

    Sarah Bryant

    Senior Photographer:

    Tim Levy

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    Call us on: (02) 9552 6333

    [FILM] Review: Salt

    Salt
    Released August 19, 2010

    Inception aside, it’s been a pretty mediocre year for the mainstream action blockbuster. In this climate, Salt is a breath of fresh air, a breezily entertaining, straightforward action film. Oh, it’s completely ridiculous, and features acts of gymnastic wizardry by Angelina Jolie’s svelte spy that would shatter the bones of any mortal being. But then, Jolie is no mere mortal. Jason Bourne or James Bond, whatever the male-equivalent (in fact, Salt was originally written for Tom Cruise), she is captivating in a role designed to keep the audience unsure of her true allegiances.

    Is Evelyn Salt a Russian-spy, undercover in the CIA ranks, tasked with bringing down her nation’s Cold War enemies from within? Or is she what she claims she is – a patriotic CIA officer? Her taciturn boss (Liev Schreiber) believes the former, while his sidekick, played by the always-reliable Chiwetel Ejiofor, is not so sure. They’re at odds with each other as Salt careens from one action set-piece, and one lorry rooftop, to the next. Meanwhile a shadowy syndicate muses over superpower-toppling schemes that include an assassination plot on the visiting Russian President. (Between this and the fourth Indiana Jones, the Russians seem to be making a comeback as movie villains.)

    Salt is hokum worthy of ’60s camp, but Aussie director Phillip Noyce and his actors play it straight. In its favour, Noyce is a master craftsman with an assured sense of space. His action sequences rely largely on practical special effects and exhibit Jolie’s physical prowess as much as her stunt doubles’. Particularly effective is an early scene where Salt busts out of the CIA with a home-made rocket launcher (made MacGyver style with available tools), and a fraught highway escape that involves our heroine indulging in some back seat driving with a stun gun. James Newtown Howard’s punchy score adds to the top technical credentials, but it’s Jolie, all steadfast glares and skittering feet, that glues the pic together.

    3.5/5

    Joshua Blackman

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