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  • THIS WEEK'S ISSUE

    BRAG 462: May 14 2012

    Janelle Monae
    Imogen Heap
    Amon Tobin
    Zola Jesus
    Ned Collette
    My Brightest Diamond
    Dark Shadows
    Chance Waters
    Spoonbill
    Efterklang
    Bonjah
    Building Bridges Festival 
    Dallas Frasca

    The Brag Magazine Team:

    Publishers:

    Adam Zammit & Rob Furst

    Editor in Chief:

    Adam Zammit

    Editor:

    Steph Harmon - steph@thebrag.com

    Associate & Arts Editor:

    Dee Jefferson - dee@thebrag.com

    Art Director:

    Sarah Bryant

    Staff Writer:

    Caitlin Welsh

    News Coordinators:

    Nathan Jolly & Chris Honnery

    Graphic Design:

    Alan Parry

    Cover Design:

    Sarah Bryant

    Senior Photographer:

    Tim Levy

    Advertising

    Meaghan Meredith – meaghan@thebrag.com

    Ross Eldridge – ross@thebrag.com

    Les White – les@thebrag.com

    Gig & Club Guide Coordinator:

    Conrad Richters

    gigguide@thebrag.com

    clubguide@thebrag.com

    Call us on: (02) 9552 6333

    [MUSIC: Interview] Chali 2na

    Chali 2na
    Quality Control
    By Alasdair Duncan

    Rapper Chali 2na may have been a central part of Jurassic 5 and Ozomatli, two of the most admired and respected hip hop outfits of the past decade, but these days he’s more of a lone wolf. With an acclaimed album under his belt, and the first in a series of EPs due out very soon, he’s loving life as a solo artist – even if it’s required a bit of adjusting. “The biggest change I’ve felt since going solo is I have to fill the spots that I used to look to my fellas to fill,” he admits. “I can’t let myself slack off – I have to be the fine-toothed comb that goes through all the little details.”

    To better explain going solo, Chali uses a basketball analogy. “When you’re playing on a basketball team and you’re the centre, you know that position and you fill that position and play it to the best of your abilities.” He ponders this for a second and, seeming unsatisfied, changes his train of thought. “A better way to explain it would be to say that when you’re in a band, you’re a small cog in a finely-made watch,” he tells me. “Every part in the watch has its duty and knows its place. Now I’m solo, I’m more free, but the trade-off is that I have to be a lot more exacting. The reward is great, but it’s tiring.”

    Chali has collaborated with some of the biggest names in hip hop, reggae and roots across his career – but recently he could be heard on a track by UK dubstep guru Rusko, a change of pace to say the least. I ask him if the experience has given him the urge to experiment with dubstep in his own music, and he tells me it definitely has. “I’m from Chicago, which is the birthplace of house,” he says, “so I naturally gravitate towards electronic music. I talk and I rap in percussive patterns, and I love the percussive patterns that dubstep creates. Working with Rusko opened my eyes to something new – I feel like I was blind before I met him.”

    In the coming months, Chali plans to release a series of EPs, Against The Current, which aim to bring all of his disparate influences together. “The EPs will encompass all the different types of music that have inspired me, from Caribbean and reggae music to street hip hop. There’s going to be live instrumentation, and there’s going to be electronic music like dubstep and house. My album Fish Out Of Water [2009] was meant to show you who I was; with this new music, I want to try and make a connection with the music I love. Listening to it will be like turning on Chali 2na Radio!”

    When it comes to politics, Chali is passionate and frequently outspoken – he once told an interviewer he feels that greed is the most destructive force in the world today. In light of this, I’m driven to ask him about the Occupy protests that are still sweeping through America and the world. “Well, I support the movement from a certain perspective,” he says, “but the thing about it is that not enough people in America are educated enough about the things going on around them to know what the Occupy movement is actually about. I feel that while there are people who are aware and taking part, getting arrested and hassled by police, a lot of their effort is in vain because nobody knows exactly what’s going on.”

    Like an increasing number of Americans, Chali is beginning to feel that there is something going wrong in his home country, with everyday people at the mercy of financial institutions, falling between the cracks of society. But he’s a little pessimistic about the Occupy movement itself. “I appreciate the effort the protestors are putting in,” he continues, “but I don’t know how much change it will bring about in the end. Ultimately, there’s enough for everyone but some people want more – and if you are one of those people who want more than the others who get left out, then what’s happening is maybe indirectly your fault. I think about the situation a lot, and I place messages, whether subtly or outright, in my music to make people think about these topics. My weapon is my music, so I try and use that to help the world.”

    Chali and his live band will soon be making their way to our part of the world for a series of shows, and I ask what exactly we can expect. “Let me tell you about my live band,” he begins enthusiastically. “My keyboard player is one of the original members of the old-school ska band The Untouchables, and he’s played in every band since, it’s ridiculous. We’ve been friends for a long time, and he always said to me that if I ever did some solo stuff to let him know. All these years later, and here we are – he’s the leader of my band! As for the show, we play my solo stuff, a bit of Jurassic stuff, even a bit of Ozomatli stuff – there’s something for all of the fans!”

    With: True Vibenation, Bentley, Klue, Adi-B & DJ Ability
    Where: Oxford Art Factory (moved from Upstairs @ Beresford)
    When: Sunday December 11