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Stonefield

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Sydney Comedy Festival 2012

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  • THIS WEEK'S ISSUE

    BRAG 462: May 14 2012

    Janelle Monae
    Imogen Heap
    Amon Tobin
    Zola Jesus
    Ned Collette
    My Brightest Diamond
    Dark Shadows
    Chance Waters
    Spoonbill
    Efterklang
    Bonjah
    Building Bridges Festival 
    Dallas Frasca

    The Brag Magazine Team:

    Publishers:

    Adam Zammit & Rob Furst

    Editor in Chief:

    Adam Zammit

    Editor:

    Steph Harmon - steph@thebrag.com

    Associate & Arts Editor:

    Dee Jefferson - dee@thebrag.com

    Art Director:

    Sarah Bryant

    Staff Writer:

    Caitlin Welsh

    News Coordinators:

    Nathan Jolly & Chris Honnery

    Graphic Design:

    Alan Parry

    Cover Design:

    Sarah Bryant

    Senior Photographer:

    Tim Levy

    Advertising

    Meaghan Meredith – meaghan@thebrag.com

    Ross Eldridge – ross@thebrag.com

    Les White – les@thebrag.com

    Gig & Club Guide Coordinator:

    Conrad Richters

    gigguide@thebrag.com

    clubguide@thebrag.com

    Call us on: (02) 9552 6333

    Archive for 'Interviews'

    [MUSIC: Interview] Ned Collette + Wirewalker

    Ned Collette + Wirewalker’s 2 is a dry, pragmatic, immediate record, which shares little with the heady avant-rock of 2010’s Over The Stones, Under The Stars.

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    [MUSIC: Interview] Daniel Merriweather

    Daniel Merriweather has been relatively quiet since his 2009 debut LP Love & War and subsequent ARIA for Best Male Artist. That’s not to say he hasn’t been busy – quite the opposite in fact. Having just recorded a new EP in Brooklyn, which was mixed in LA, he’s back in his hometown of Melbourne about to embark on a national tour, including a few support slots with Kimbra.

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    [MUSIC: Interview] The ReChords

    One of my favourite Massachusetts bands, Piebald, once said, “All you need is drums to start a dance party.” The ReChords would probably find that amusing; they’ve been coping rather well without a drummer since getting together in 2009. The western swing/RnB/roots three-piece have amassed themselves a rather large following in their home town of Melbourne, settling in for residencies at The Gem in Collingwood for month-long stints, scoring support slots for touring acts like Justin Townes Earle and King Cannons, and turning heads with their performance at the Meredith Music Festival. And all this without a single snap of a snare.

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    [MUSIC: Interview] Amon Tobin

    From the traditional vinyl samplings of his debut album, Adventures In Foam, to the manipulated field recordings of Foley Room, Brazilian-born producer Amon Tobin has consistently been fascinated by the re-appropriation of sound. Like Foley Room, his seventh and most recent album, ISAM, sees Tobin crafting a cornucopia of sampled ‘found sounds’ into a sonic maelstrom – except this time, he went looking for curious sounds closer to home.

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    [MUSIC: Interview] Imogen Heap

    If Imogen Heap sounds like she’s buzzing with ideas on record, wait until you hear her speak. The dynamic, award-winning and boundary-pushing artist seems almost incapable of sitting still – which makes for an excellent interview. Heap is returning to Sydney for a performance at Vivid LIVE and for Vivid’s Song Summit conference, where she’ll deliver a keynote speech about the processes behind her dazzlingly diverse range of compositions. She’ll be bringing six months worth of custom-made songs with her, which were created with the help of her extensive online fanbase using a diverse range of mediums including sound, text and vision to inform her songwriting process. This collection, currently entitled ‘Heapsongs’, is a continual work-in-progress that will result in an album that almost every listener will have been involved with in some capacity. It all seems utterly exhausting – but for Heap, it’s endlessly fascinating.

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