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Stonefield

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  • THIS WEEK'S ISSUE

    BRAG 462: May 14 2012

    Janelle Monae
    Imogen Heap
    Amon Tobin
    Zola Jesus
    Ned Collette
    My Brightest Diamond
    Dark Shadows
    Chance Waters
    Spoonbill
    Efterklang
    Bonjah
    Building Bridges Festival 
    Dallas Frasca

    The Brag Magazine Team:

    Publishers:

    Adam Zammit & Rob Furst

    Editor in Chief:

    Adam Zammit

    Editor:

    Steph Harmon - steph@thebrag.com

    Associate & Arts Editor:

    Dee Jefferson - dee@thebrag.com

    Art Director:

    Sarah Bryant

    Staff Writer:

    Caitlin Welsh

    News Coordinators:

    Nathan Jolly & Chris Honnery

    Graphic Design:

    Alan Parry

    Cover Design:

    Sarah Bryant

    Senior Photographer:

    Tim Levy

    Advertising

    Meaghan Meredith – meaghan@thebrag.com

    Ross Eldridge – ross@thebrag.com

    Les White – les@thebrag.com

    Gig & Club Guide Coordinator:

    Conrad Richters

    gigguide@thebrag.com

    clubguide@thebrag.com

    Call us on: (02) 9552 6333

    Archive for 'Interviews'

    [MUSIC: Interview] My Brightest Diamond

    For most artists, being heavily pregnant is a suitable justification for not touring at all, never mind making an arduous journey halfway around the world. But such distractions don’t seem to apply to Shara Worden. In early 2010, the frontwoman and chief songwriter of My Brightest Diamond was asked by curator Brian Eno to perform at the second annual Vivid LIVE. She arrived seven-and-a-bit months pregnant with her first child, to rip up Sydney Opera House with her epic meshing of chamber music and soaring pop.

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    [MUSIC: Interview] Zola Jesus

    Zola Jesus Opening Up By Alasdair Duncan The music that Nika Danilova makes as Zola Jesus is compelling to say the least. A classically-trained vocalist, she took a detour into the world of synths and now makes sweeping, strange electronic records. Her most recent release, Conatus, was one of the finest of last year, combining [...]

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    [MUSIC: Interview] Janelle Monáe

    By the time you read this, we will know whether or not the rumours are true. A few weeks ago, Afro-futurist pop-funk-soul auteur Janelle Monáe tweeted a link to a SoundCloud post about a “Prince rehearsal… watch out Australia!” The Australian music media went nuts – the assumption made sense, given that Monáe (who owes no small musical debt to her fellow pint-size pop pioneer) and her ArchAndroid Orchestra had previously opened for the Purple One overseas, and will be in the country at the same time as him, performing in Sydney for Vivid LIVE. (The first show on Prince’s Welcome 2 Australia tour is Sydney on May 11; only one date, May 26 in Brisbane, clashes with Monáe’s Vivid schedule.) But when asked directly about opening for Prince, Monáe is coy almost to the point of defensiveness, repeating the same line to several journalists: she can only confirm May 26 and 27 at the Sydney Opera House.

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    [MUSIC: Interview] Pariah

    For Arthur Cayzer, better known as the dubstep performer Pariah, a change of scene to the countryside promised plenty of creative stimulation. “I’d been in London for about six years,” he says, “and one day I looked around at my apartment and thought it’d just be nice to have a bit of space and see what I can come up with, you know?”

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    [MUSIC: Interview] Kerser

    Having slowly emerged from the underbelly of the Aussie hip hop scene, the name Kerser has crept into the vocabulary of hip hop fans across the country thanks to the young Sydney MC’s brand of brash, in-your-face raps that drip with unashamed swagger (see the self-explanatory ‘Kerser Is The Sickest’). His recent sold-out battle with Oz hip hop juggernaut 360 has drawn further attention to his ability to spit freestyle bars at speeds you could only dream about, with a wickedly funny edge – but he remains unfazed by all the fuss, and is solidly focused on creating the music he loves for the fans that follow him with an almost clannish devotion.

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